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Story From The Birth Of The Plandemic

The


Last


Year


On


Earth


[PART I]


By Naji Shakur








Based on a true story.








The Last Year On Earth














'A racial explosion is more powerful than an atomic explosion...' – Malcom X





'What we do in life, echoes in Eternity.' - Maximus Decimus Meridius











For Travon Martin.








Chaos Theory.





What happens, society loses its' moral bearing?


When a people can't trust the veracity of its' rule?


What happens, when the social contract is broken?


Anarchy. Total contempt for the law.











It would seem the Nation has lost its' bearing...











PROLOGUE




After being racially harassed for months, a boy gets fired for “not smiling” to a customer. What does he do? He goes to the law. Or what is presumably so. He goes through official channels. He reports to EEOC. The result? Nothing. Nothing happens on a legal level, nothing happens on a societal level, nothing happens at all. The boy, heartbroken, resolves to move on in life. He purchases a new scooter for transportation, and sets about finding new employment. Sitting on his mother's patio, he uses the WiFi to search. Time passes, and he researches and fills out applications.





Each night as he leaves, he places his friend Lucatiel (Lulu), a small dog in his backpack, leaving of course, a hole to poke her head through. He then rides to his shed where, fending off the rats, in the bitter cold, he sleeps. This cycle repeats itself for over a week. Strangely, the boy, can't help but feel as though he's being watched, each time he enters and leaves his mother's complex.





One night as the boy parks his scooter, he notices an unfamiliar car waiting near his usual spot. He continues on to search for jobs, and the night progresses. He finishes and returns to his bike at half-past ten. Inside the unfamiliar car, there is an individual. The individual ignores the boy, and looks at his phone. He remains, and the boy leaves. The boy rides up out of the parking lot, then heads right.





He drives for a total of about twenty-eight seconds before onward, directly ahead of him, a car comes careening straight for him, on the wrong side of the road. Several seconds pass, before “what the -?!” The driver continues directly at him, almost... purposefully.





Swerving abruptly the boy on his bike is just barely able to avoid him, glancing a blow off the front-left corner of the car. In this moment, time is slowed for the boy and he's given a choice. Either he can roll, saving himself, yet risk the life of Lucatiel. Or he can land hard on himself and save his beloved friend.











The choice was obvious and easy.











CHAPTER ONE




Once the collision had ended, the boy gathered his senses. He was sitting on the ground, his scooter was nowhere in site. From the car that had hit him, a man came. Asking the boy if he was OK. The boy responds, “No. My leg is broken.”. Indeed, the leg had snapped off just above the knee.



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Immediately, the boy struggled his backpack off to open it, fearing the worst...


God be praised:





His little Lulu was alive and well. Nothing else mattered.





It was only a few moments before first responders arrived and very expertly dealt with the situation. The boy arrived in the emergency room. He'd been strangely calm the entire time. He even suffered very little pain...





He thanked the EMT men and nurses that had transported him onto a new bed. In his eyes they were TV heroes.





His leg was a horribly deformed, though strangely the boy was amused...





It looked like an awkwardly bent hot dog...








Soon the time came to sedate the boy.





He was injected with Ketamine.





As he went under, his world became strange.








He couldn't think.





His mind was paralyzed.





Reality was frozen.





It was as though all the essence of his existence, his mind, his soul, were being pulled through a mixing straw...





Time froze.








He wondered... is this death..?


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And all the while, vaguely in the background, a hideous, crunching, twisting sensation...


When the ordeal was over the boy slowly began to perceive correctly. Some time passed. After a night of sleep, the boy was brought to a new level. Here they would perform surgery to fix the leg. An interesting conversation unfolded between himself and one of the nurse technicians. At some point the conversation came to “there's too many people on the earth”... The boy was then brought, after some waiting into the operating room. The nurse technician had wheeled him in, and as the boy was being put under sedation a second time, he called out to the technician,


when the zombie apocalypse begins, you're on my team..!”.





The boy slept. An instant later he awoke, and the surgery was complete.














The boy awoke to a surveillance nightmare.














The spies infiltrating his life were not exposed forthright. Slowly healing over time, the boy waited. Finally, after months of bed rest, crutches, opioids and stomach injections (most wonderful when one has an affinity for needles), he ventured back out into the world. Not ten minutes after he was off his crutches, when lo, the boy was intercepted en route to his front door by a... Karen.





She had the air of a desperate sports fan, who cheatingly jumps onto the field to help the goal-keep defend her team. “What's your name?” She demanded. The boy already knew. He knew what this meant. He responded flatly. “How do you spell it?” She demanded. Again he responded flatly and moved on. Here began a long campaign of incessant harassment, culminating in the defeat of low bigots, and possibly... the end of the world.





Wherever he would go, someone would follow. A security patrol, always pulling up wherever he might be. A police officer, always pulling up wherever he might be. An officer even approached the boy in his mother's car pointing a gun at his head. The boy was (very suspiciously) eating a snack. This carried on for months. His car was robbed of its' paperwork. When the boy called police, they refused to show up for two hours.


In the apartment, the woman continued basing her life off of the boy's actions, so he attempted to avoid her. She'd intercept him on the way into his front door, so he used the side door into the yard. When he did that, she then would “water her plants” just as he entered underneath her balcony. Eventually the boy found it easier to simply enter through his bedroom window. Having no means of harassment, she repeatedly clipped off the wire to the yard's gate-latch. On and on it went, as she reported him for petty, minor things.





One day the boy knocked over a stone tower of heavy stones that was placed near the path to his backyard gate. “HEY!” the woman roared from the top of her tyrannical tower. Storming out her door and down the stairs, she ordered, “pick that up!”.


“No thanks.” the boy responded.


“I will lynch you n****r!” she said.


The boy didn't bother with a response. Next it was her time to begin noise harassment within the apartment. Day in and day out, banging things around above his bedroom. She even “dropped” something so hard that a ceiling light bulb fell from its' fixture. As the boy attempted to enter from another end of the apartment, there too, he was intercepted by another Karen. “Poor Lulu”, she sneered as he walked by.


On and on, neighbors repeatedly harassed. Asking “do you live here?” in a look of mock concern for crime... Or whatever.


Soon it became time for the boy to purchase a new vehicle. Though, having been fed up with his towns' racist filth and bigotry, and, having suffered it intensely the past four years, he decided to have...


A little bit of fun....

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Thank you Jay!

I just want to thank Jay for creating a space for the B1 family. I've enjoyed my time on the board interacting with everyone here. I've said it before and I'll say it again, I see this board being a hub for FBA and B1, I try to do my part in helping the board grow and I will continue to do so. I don't know Jay personally but I'm sure if we ever met I would dig his vibe. your a smart brotha and I really appreciate what you've created for us. thank you!

Happy Holidays

BG

Kevin Samuels is a F**king Coon Straight Up

This negro said that we didn't fight for our freedom, White people gave it to us.

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Oh No Facepalm GIF by Aminé


If you listen to this nigga you are suspect. Time after time he says some of the most coon-worthy stuff. He is a anti-Black woman hating coon...who in high school said he was unique. Y'all better stop listening to King Zest.

Read our detailed write up on the life of Kevin Samuels.

Daunte Wright's parents speak out after Kim Potter verdict

Katie Bryant, Wright's mother, said she could "never forgive" former Brooklyn Center police officer Kim Potter, who was found guilty of first- and second-degree manslaughter charges Thursday.

"When they read first guilty my heart dropped and I let out a wail and buried my head in his chest. Tears of joy," said Bryant.
Now that this Race soldier is convicted how much time will she get?
What satisfies me the most is she'll never be able to own a gun again, she is now a convicted criminal and that will follow her for the rest of her days. and she will be known as a murderer.
I predict 10 years.

then this B*tch has the nerve to smile for her mugshot.

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Lenny Kravitz clears ALL CONFUSION UP with ONE SONG.....

In case you CONFUSED as to who rock and roll BELONGS TO, or where it COMES from, or whether rock and funk are RELATED...
Or you were on the FENCE about his GENIUS...
MERRY XMAS.

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Nas - Magic Album Review

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Imagine pouring your favorite Nas albums into a coffee press and as you press the plunger down, you see cuts like “Summer on Smash”, “Like Me”, the whole “NASIR” album filtered out. The resulting Coffee would be the perfect analogy for the album “Magic”.

Read the complete review here on our blog, The Zero Hour.

Why blacks need to leave the army

Just wondering mans thoughts on if there is something inherent about white people and privledge and their need to take shyt. Or if black people were to be the dominant society would we still be doing all these invasions and bombing all of these countrys. And do you think without inperialsim black people will get along better with the other races. Do you think one of the reasons the other races are having issues with us is because we keep joining white armys

Worried about my youngest Auntie

She isn't taking the death of her mother well at all and I am afraid she may harm herself again. My aunt is a paranoid schizophrenia and we have been dealing with that since I was 5. The 2 strongest pillers in my family was my grandfather and my mother that knew how to handle my aunt during her breakdowns.

We DO NOT all the police, we handle it the best we can. Nothing sharp can be around her because 2 years prior she took a razor blade to her neck.. she lost so much blood she had a major stroke and is unable to walk now.

Now just like I gave my grandfather my word "To watch over and protect my grandma, my mother and 2 aunts" and I have been doing just that. I owe Nini the world. This woman has been my rock for 6 years and has seen whats been going on. We are all we got at this point. I have turned the family room into my aunts bedroom complete with hospital bed, our living room was turned into my grandmothers hospice and that has since been removed and is back as our living room.

Nothing feels right anymore.

Soul Train

Soul Train and the Desire for Black Power​


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Don Cornelius’s faith that Black culture would attract a mass audience—and his devout belief that Black culture should be in the hands of Black people—make the program he created a radical touchstone 50 years after its debut.​

By Mark Anthony Neal​


The Nation

Don Cornelius and the Soul Train Dancers doing the signature Soul Train show ending.(Soul Train via Getty Images)

There’s likely no single Black-owned brand that elicits a collective smile more than Soul Train, the nationally syndicated dance show that premiered 50 years ago this fall. Host and founder Don Cornelius’s adage of “Love, Peace, and Soul” resonated for generations, unleashing what Nelson George has called the civil rights movement’s secret power: “Black Joy.” Yet embedded within the funky rhythms, ethereal harmonies, and Day-Glo body suits was a desire for something more elusive: Black Power.
Black music was a potent force in the drive towards civil rights, from the activists that repurposed spirituals and labor songs into protest anthems to groups like Curtis Mayfield and the Impressions urging folk to “keep on pushing’,” Aretha Franklin demanding “Respect,” and James Brown saying it loud about being “Black and Proud.” The year of 1971 was a coming out of sorts for politically charged messages in Black music, with Aretha Franklin’s Live at Fillmore West, Sly & the Family Stone’s There’s a Riot Goin’ On, and Marvin Gaye’s What’s Going On all making their debuts. The national broadcast of Soul Train was born in and of this moment.

A local version of Soul Train had already launched in August of 1970 in Chicago on WCIU-TV, with sponsorship from the Sears and Roebuck Company. The broadcast featured legendary Chicago vocalist Jerry Butler, as well as Chicago-based groups the Five Stairsteps, riding the waves of their breakthrough hit “Ooh Child,” and the Chi-Lites, whose own mainstream breakthrough, “Have You Seen Her,” would be a year away. Fellow Chicagoans Syl Johnson (“Is It Because I’m Black”) and Gene Chandler of “Duke of Earl” fame were among the acts who would appear on the program’s second episode. This ability to draw on “local” talent and the value of the show as a platform for up-and-coming acts would be important to Soul Train’s success. Eventually, an appearance on Soul Train would provide a kind of street cred for Black artists—even those who had achieved national crossover success.

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Soul Train hit nationally syndicated airwaves in late October of 1971. The first show featured the Honey Cone (“Want Ads”), Eddie Kendricks, newly solo after a decade as the co-lead of The Temptations, and Gladys Knight and the Pips. But it was the energy of the teenagers who populated the soundstage introducing the nation to the Get Down, the Hi-Low, and the Breakdown that made the show an immediate hit. In her book Love, Peace and Soul: Behind the Scenes of America’s Favorite Dance Show Soul Train, Ericka Blount Danois described it as “black radio on television.” More to the point, Soul Train was an electronically mediated version of the chitlin’ circuit—the informal networks of theaters, night-clubs, and after-hours joints that sustained Black performers who were denied access to integrated venues prior to the civil rights movement. One of the linchpins of the Black entrepreneurial class, the chitlin’ circuit was the closest thing to a national Black culture.

The Chicago Defender noted at the time of its premier that the new dance show “was one of the most fantastic presentation of a black production and was even better than most well-known TV musicals often seen on Network stations.” The Defender might have been simply gassing up to a local homeboy, who by then had moved the show’s operations to Los Angeles, but aesthetics of presentation was important to Cornelius—and to his primary sponsor, the Black-owned Johnson Products, best-known for the haircare products Ultra Sheen and Afro-Sheen. One of the company’s ads from that period featured Frederick Douglass chiding a Black teen for his messed-up Afro.

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Johnson Products was one of the first Black-owned businesses to trade on the American stock exchange, and, as Blount Danois observes, “Soul Train was able to continue its programming with a level of autonomy that would not have been possible if it had had to rely on a national sponsor that had to cater to Southern affiliates.” Company cofounder George E. Johnson was emblematic of a generation of so-called self-made Black men that Cornelius took cues from: Berry Gordy at Motown Records, John H. Johnson of Johnson Publishing, Al Bell at Stax Records, and James Brown, the “hardest-working man” in show business. These were not men who would necessarily raise a Black Power fist or quote Stokely Carmichael or Angela Davis, but were activists nonetheless, who doubled down on the ideas of Black respectability and Black excellence as counters to the racial stereotypes that circulated widely in American media and popular culture. Cornielius himself was hypersensitive to negative racial stereotypes; in the program’s popular word-scramble segment, he wanted to make sure participants actually knew how to spell—even sharing the word beforehand—to guarantee that they wouldn’t show up on national television reinforcing ideas of Black illiteracy.

Part of Cornelius’s success lay in his valuation of Black culture as something desirable to mass audiences—and his devout belief that Black culture should be in the hands of Black people. This valuation wasn’t new: Ahmet Ertegun and Leonard and Marshall Chess built musical empires at Atlantic and Chess Records, respectively, largely on the promotion of Black blues and rhythm & blues artists.

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Accordingly Soul Train’s breakthrough success soon caught the attention of Dick Clark, the man behind the hugely popular dance show American Bandstand. American Bandstand set the industry standard for teen-based dance programs, and though Clark’s platform was important for emerging soul artists in the 1960s to reach white audiences, even Clark knew he couldn’t compete with Soul Train. When Cornelius rebuffed Clark’s efforts to buy Soul Train, the latter responded with an ill-advised attempt to create his own version: Soul Unlimited. The show lasted only a year, in large part because of a behind-the-scenes campaign, led by music industry pioneer Clarence Avant—aka the “Black Godfather”—and the Rev. Jesse Jackson.

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Whether Soul Unlimited could deliver a product that could compete with Soul Train was beside the point, and apparently beyond Clark’s grasp. What resonated for Black viewers were vibrant and authentic expressions of Black culture that were produced for and by Black people. According to Nelson George in his book The Hippest Trip in America: Soul Train and the Evolution of Culture & Style, “Many in the black community felt that having a black-owned show on television wasn’t just cool TV, but an extension of the Civil Rights Movement. The idea that Clark, with whom blacks had always had an uneasy relationship, could kill Soul Train led to threats of an ABC boycott.”

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Full article:

The Matrix Resurrections

I'm a big fan of the first 2 Matrix movies, the ones after those were garbage to me.

I'm 8 min. in to this new one and I already don't like it. The "acting" is almost forced it seems, the character "Bugs" is already annoying
and some of the action is blah. I'm going to try and finish this so I can tell you if it's gotten any better, I really hope so.

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How To Spot An Agent

One of the best things about 6ZEROS.net is that we can speak freely on here. That freedom means that we can discuss our issues on our terms with our people. We can be unapologetically Black, and we can build.

Because we so openly discuss Black issues, people outside of our community may have taken notice. Many of us are aware of other sites that have been infiltrated by agents & white supremacists who wear digital blackface. A common tactic of suspected white supremacists is to create fake online accounts, pretend to be Black, and troll and spy on us.

The good news is that these agents/ws/bots are usually easy to spot. Here are some telltale signs:
  • They are unverified - Only verified Sixers have had their Blackness authenticated. We are who we say we are. Btw, you can get more information on verification here: About Verified Accounts
  • They always try to be the Blackest person in the room - If someone goes out of their way to prove how "Blackity Black" they are to the point of overcompensating, they are probably a fraud.
  • They tend to be overly argumentative - Many times, an agent's main goals are to antagonize, agitate, and cause chaos. Instead of engaging in productive conversations, they try to derail threads.

Are NFTS a passing fad?

Would you guys say that NFTS are a passing fad at this point? I feel like it is the case, considering that I don't see this becoming as popular as cryptocurrency. Yeah it's kinda blown up recently, but I just can't see NFTs working for long. Once the government gets their hands in it, I bet things will change fast.

I mean hell, even people are making games with NFTs now, so it's going to result in crackdowns because we know kids can easily access all these games, so they're going to find a way to get into these NFTs.

Anyway, do you think NFTs will stick around? Or is it a passing fad?

Do you think Kim Potter truly feels guilty for what she did?

Kim Potter is the police officer responsible for the shooting death of Daunte Wright. During her trial, she apologised for what she did and I think she mentioned it wasn't intentional.

I'm willing to bet she is remorseful, but not that she killed a man, but that she didn't get away with it. And honestly, she might get off with how the jury situation is right now. This article here talks about how the jury is divided, and I don't get why. This woman should get it for murder. I have a feeling she will end up getting put away for manslaughter or something. But she deserves to be put away a long time.

Do you think she's sincere? Or are they crocodile tears?

Jay Z states that no one can stand in front of the stage of him in a Verzuz

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Do you agree? I believe that there are a few that can see him, but I think they're trying to get something going, as Alicia Keys was the one who was hosting this spaces (Swizz Beats wife). Something might be coming

Numbers to call about the co opting of the Freedman's Bank

A quick recap of what I know: yesterday I saw a tweet of a Latina lady including latinx people in those involved in said bank. Here are the numbers to call, and if you're on Twitter RT this post please

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I'm gonna do some more digging because this looks like some POC fuckery. There's no need to include people that aren't involved with said bank.

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